Filters allow you to increase the contrast of the scene. Under the enlarger, a frame holds the photographic paper while creating the print. A focus finder ensures that the enlarged projection is in focus. The first step is to place the negative into the negative holder in the enlarger. A red ‘safe light’ uses a color rqnge that doesn’t affect the light sensitive paper. Printing images allows you to work in a room that isn’t completely pitch black. A loupe checks the focus of the negatives and decide which to print. When placed inside the sheets, they in turn fit into a binder for further protection. A drying aid such as Photo- flo reduces streaking and water spots from the negative as it dries.Īfter the film has dried, cut the long strip of negatives according to the protective negative sheets – usually 6 on a row. Then hang the film via film hangers in a dedicated film drier (looks like a space age enclosed clothes organizer). To dry the film, a film squeegee removes excess water. Developer, Stop and Fixer turns the photographic film into a negative. This air- tight container allows you to add (and remove) liquid chemicals that are necessary for developing the film. Scissors allow you to cut the sellotape connecting the end of the film to the central holder.Īfter removing the film, roll it onto a reel, and place both inside a film developing tank. A specific film canister, which looks like a bottle opener allows you to remove the film. To process 35mm photographic film, you will need a pitch-black area, and only a few tools.
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